Once on This Island
Show Information
The Ruth & Nathan Hale Theater
under the direction of
ARTISTIC DIRECTOR EXCECUTIVE DIRECTOR
Jennifer Hill-Barlow Bill Woahn
PROUDLY PRESENTS
A Musical
Book and Lyrics by
Lynn Ahrens
Music by
Stephen Flaherty
Based on the Novel
"My Love, My Love" by Rosa Guy
Originally Directed and Choreographed on Broadway by
Graciela Daniele Playwrights Horizons, Inc. Produced ONCE ON THIS ISLAND Off-Broadway In 1990
Originally Produced on Broadway by
The Shubert Organization, Capital Cities/ABC, Inc. Suntory International Corporation and James Walsh, In Association With Playwrights Horizons
Starring
Brittany Andam, Kiirt Banks, Oba Bonner, Yahosh Bonner, Chad Brown, Sean J Carter, Paola Molina Guzmán, Aria Love Jackson, Corey Stefon Johnson, JRay Kuhn, Beatriz Melo, Malia Morris, Koryn Sobel, Blythe Snowden, Sibley Snowden, Anya Sulimoni, Nicholas Warren, and Rosemay Webster
with
Kile Allen, Josephine Bailey, Josian Brett, Noah Burket, Alexandria Byrd, Melanie Fernelius, Nahla Fernelius, Asher Head, Shania Juzil, Mak Milord, AJ Nielsen, Joshua Stone, Desmond Walker, and Heidi Malia Warren
DIRECTOR
Lisa Hall
CHOREOGRAPHER
Izzy Arrieta
MUSIC DIRECTOR
Alec Powell
PRODUCERS
Jennifer Hill-Barlow and Kacey Udy
PRODUCTION STAGE MANAGER
Anna Birch
SCENIC DESIGN BY
Carter Thompson
COSTUME DESIGN BY
Candice Nielsen
LIGHTING DESIGN BY
Michael Gray
SOUND DESIGN BY
Tim Riggs
PROPS DESIGN BY
Megan Heaps
HAIR & MAKEUP DESIGN BY
Bekah Wilbur
Once on This Island is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.
423 West 55th Street, New York, NY 10019
(#p) 212-541-4684 | (#f) 212-397-4684
www.mtishows.com
The video or audio recording of this performance by any means is strictly prohibited.
Cast List
Ti Moune
Blythe Snowden MON, WED, FRI
Sibley Snowden TUE, THU, SAT
Daniel
JRay Kuhn MON, WED, FRI
Corey Stefon Johnson TUE, THU, SAT
Agwe
Yahosh Bonner MON, WED, FRI
Kiirt Banks TUE, THU, SAT
Asaka
Brittany Andam MON, TUE, FRI
Aria Love Jackson WED, THU, SAT
Erzulie
Anya Sulimoni MON, WED, FRI
Malia Morris TUE, THU, SAT
Papa Ge
Beatriz Melo
Andrea
Paola Molina Guzmán
Armand
Chad Brown MON, WED, FRI
Sean J Carter TUE, THU, SAT
Tonton
Oba Bonner MON, WED, FRI
Nicholas Warren TUE, THU, SAT
Mama
Koryn Sobel MON, WED, FRI
Rosemay Webster TUE, THU, SAT
Little Girl
Nahla Fernelius MON, WED, FRI
Heidi Malia Warren TUE, THU, SAT
Man 1
AJ Nielsen
Man 2
Desmond Walker
Man 3
Joshua Stone MON, WED, FRI
Asher Head TUE, THU, SAT
Man 4
Noah Burket MON, WED, FRI
Kile Allen TUE, THU, SAT
Woman 1
Josian Brett
Woman 2
Shania Juzil MON, WED, FRI
Mak Milord TUE, THU, SAT
Woman 3
Alexandria Byrd
Woman 4
Melanie Fernelius MON, WED, FRI
Josephine Bailey TUE, THU, SAT
Understudy
Mak Milord PAPA GE UNDERSTUDY
Swings
Koryn Sobel FEMALE SWING
Asher Head MALE SWING
Production Team
DIRECTOR
Lisa Hall
CHOREOGRAPHER
Izzy Arrieta
MUSIC DIRECTOR
Alec Powell
PRODUCTION STAGE MANAGER
Anna Birch
SCENIC DESIGN BY
Carter Thompson
COSTUME DESIGN BY
Candice Nielsen
LIGHTING DESIGN BY
Michael Gray
SOUND DESIGN BY
Tim Riggs
PROPS DESIGN BY
Megan Heaps
HAIR & MAKEUP DESIGN BY
Bekah Wilbur
DIALECT COACH
Myah Bridgewater
INCLUSION CONSULTANT/DIRECTOR'S ASSISTANT
Shelby Noelle Gist
Scenes and Musical Numbers
• Setting •
An island in the French Antilles, then & now.
We Dance
Company
One Small Girl
Tonton Julian, Mama Euralie, Little Ti Moune, Storytellers
Waiting for Life
Ti Moune, Storytellers
And the Gods Heard Her Prayer
Asaka, Agwe, Papa Ge, Erzulie
Rain
Agwe, Storytellers
Pray
Ti Moune, Tonton Julian, Mama Euralie, Storytellers
Forever Yours
Ti Moune, Daniel, Papa Ge
The Sad Tale of the Beauxhommes
Armand, Storytellers
Ti Moune
Mama Euralie, Tonton Julian, Ti Moune
Mama Will Provide
Asaka, Storytellers
Intermission
Waiting for Life (Reprise)
Ti Moune
Some Say
Storytellers
The Human Heart
Erzulie, Storytellers
Pray (Reprise)
Storytellers
Some Girls
Daniel
The Ball
Andrea, Daniel, Ti Moune, Storytellers
Ti Moune's Dance
Ti Moune
Forever Yours (Reprise)
Papa Ge, Ti Moune, Erzulie, Storytellers
A Part of Us
Mama Euralie, Little Ti Moune, Tonton Julian, Storytellers
Why We Tell the Story
Company
Director's Note
The Stories We Weave
By Lisa Hall
From its opening moments, Once on This Island declares itself a story of "two worlds, never meant to meet." The arts have a unique capacity to explore our human experiences of division: both internal and societal fractures. The arts can also show us that division isn't always a clean break; it can be the state of living in two worlds at once, negotiating the chasm and finding beauty there. Yet this dissonance can isolate and damage individuals, depriving them of diverse, interactive communities. Once on This Island never shies away from that difficult reality. Based on the fable of The Little Mermaid, this show uses the original story's structure but deepens the conflict of division significantly. The musical is set in the French Antilles, and based on a novel by Rosa Guy. Guy was a writer who experienced a division of worlds quite young. She was born in 1922 on the island of Trinidad, and immigrated to New York at the tender age of ten. Later orphaned and raised in part within the foster system, Guy responded by building coalition—co-founding the Harlem Writers Guild and sustaining decades of political engagement. She also fostered community through her enduring relationships with readers. Guy's works are threads of connection between worlds.
Guy published My Love, My Love: Or, The Peasant Girl in 1985. A Haitian reimagining of the Little Mermaid story, the novel is one of many versions of the tale of a girl longing to join a world that seems magical to her. But rather than the glossy optimism of Disney's 1989 film or the tragic violence of Andersen's 19th-century original, My Love, My Love lives in two worlds at once. The novel is a fearlessly told narrative of the perpetual dance between life and love fully embraced alongside the natural process of death and loss. The story allows beauty and pain to coexist without favor or judgment. Guy's dual worlds don't blend joyfully (Disney) or fail spectacularly to meet (Andersen). Rather, she lets the two worlds confront one another gently, honestly: the sadness of a divided reality is balanced by redemptive change. One of the innovations of Guy's writing was to ground the universality of the fable within a culturally specific milieu. This is not merely aesthetic - it weaves the story into a complex sociopolitical and personal intersection of race, class, and custom. Haiti has long been shaped by the tensions between colonial power and indigenous identity. "Despite all its tragedy," Dubois writes, "Haiti's past shows the remarkable, steadfast, and ongoing struggle of a people to craft an alternative to the existence that others wanted to impose on them" (11). Negotiating the nature of one's own existence is baked deep into all the influencing factors of the novel.
My Love, My Love is only one work in Guy's extraordinary oeuvre. After her death in 2012, her lifelong friend Maya Angelou reflected on why those works were so influential: “She loved to write about love...If you thought a situation called for a kind of mournfulness, she was the one to laugh and turn music on and dance.” Perhaps that's why the novel adapts so beautifully into song and dance: they are a part of Guy's essence, which the musical authors Lynn Ahrens (book/lyrics) and Stephen Flaherty (music) also saw in the book's pages. Ahrens and Flaherty work through the music to bring audiences right to the center of the mournfulness of Ti Moune's story, as well as the celebration of living that shimmers in each song. As a director, my concept for this production was "to immerse and delight the audience through sensory experience and surprise." We have designed an environment to immerse the audience through their senses. Elements like sand, water, breeze, and fire align with the story's gods: Asaka, Agwe, Erzulie, and Papa Ge. The elements form, as the gods do, a collection of parts forming a harmonious whole. We've tried to create, as well, moments of surprise and delight, which are core parts of how the musical functions. However, regardless of what kind of additions we make to this production, the play will thrive solely on what is at its heart: storytelling.
Storytelling is a simple process with complex impacts. It transmits knowledge from one person to another, sending ripples outward from that exchange. In other words, it lives in the act of telling and the act of hearing, together. It is no mistake that the listener for this story is a child. As the audience, we are also the listeners of the story and, in that sense, childlike ourselves. It reminds us to humble ourselves at the feet of stories told to us, when we are lucky enough to be told. bell hooks writes:
Stories help us to connect to a world beyond the self. In telling our stories we make connections with other stories. Journeying to countries where we may not speak the native tongue, most of us communicate by creating a story, one we may tell without words. We may show by gesture what we mean. What becomes evident is that in the global community life is sustained by stories. A powerful way we connect with a diverse world is by listening to the different stories we are told. These stories are a way of knowing. Therefore, they contain both power and the art of possibility. We need more stories (hooks 53).
The efficacy of storytelling, and its role in making us whole as a community and as a world cannot be underestimated. Storytelling is the answer, the balm, the medicine, and the way forward. In the play, the lyrics reflect this idea succinctly: "For out of what we live/ And we believe,/ Our lives become/ The stories that we weave." Our lives become the story, and the stories become our lives.
More than that: what stories do we need right here, right now? What stories can we tell that will crack the foundations of separation and privilege? What stories will demolish the gates between us, allowing worlds to meet eye to eye? Rosa Guy wrote that "Only a rock is so blind as to guard only the earth on which it sits" (39). Humans are not rocks, we must guard the dignity and safety of all people and all lands. It is through stories we will learn what we must guard. It is through stories that we will grieve and forgive. Maya Angelou said of Guy that “She’s never afraid of the truth. Some writers dress the truth in a kind of elegant language, so it doesn’t seem quite so blatant, so harsh, so raw. But Rosa was not afraid of that.” What stories, that are both raw and redemptive, will save us? I hope we can balance goodness with understanding of harm, and fear with joy - all a part of the whole.
Each of the individuals you see on stage, and all those working behind the scenes, have given their hearts to this process.
Thank you for being a part of the story.
Dubois, Laurent. Haiti: The Aftershocks of History. Picador, 2013.
Fox, Margalit. "Rosa Guy, 89, Author of Forthright Novels for Young People, Dies." The New York Times, 7 June 2012.
Guy, Rosa. My Love, My Love: Or, The Peasant Girl. Holt, Rinehart and Winston, 1985.
Hooks, Bell. Teaching Critical Thinking : Practical Wisdom. Routledge, 2010.
Meet the Cast
Blythe Snowden
Sibley Snowden
JRay Kuhn
Corey Stefon Johnson
Yahosh Bonner
Kiirt Banks
Brittany Andam
Aria Love Jackson
Anya Sulimoni
Malia Morris
Beatriz Melo
Paola Molina Guzmán
Chad Brown
Sean J Carter
Oba Bonner
Nicholas Warren
Koryn Sobel
Rosemay Webster
Nahla Fernelius
Heidi Malia Warren
AJ Nielsen
Desmond Walker
Joshua Stone
Asher Head
Noah Burket
Kile Allen
Josian Brett
Shania Juzil
Mak Milord
Alexandria Byrd
Melanie Fernelius
Josephine Bailey
Meet the Production Team
Lisa Hall
Izzy Arrieta
Alec Powell
Anna Birch
Carter Thompson
Candice Nielsen
Bekah Wilbur
Michael Gray
Tim Riggs
Megan Heaps
Myah Bridgewater
Shelby Noelle Gist
Theater Staff
Executive Leadership
Artistic Director
Jennifer Hill Barlow
Executive Director
Bill Woahn
Executive Creative Producer
Kacey Udy
Production
Director of Production
Meagan M. Downey
Technical Director
Scott Freeland
Assistant Technical Director
Jordan Edkins
Audio Supervisor
Timothy Riggs
Associate Audio Supervisor
Richie Trimble
Audio Engineer Technician
Devon Parikh
Audio Engineer
James Ewell, and Andy Keele
Head of Lighting and Media
Renee Fowler
Associate Lighting Designer
Ryan Fallis
Head Electrician
Kai Sadowski
Lighting Technician
Michael McGarry
Light Board Operator
Gabi Pack, Kaden Wells, and Ray Woichik
Lead Automation Programmer/Rigger
Ryder Spotts
Automation Programmer/Operator
Andrew Oliverson, Alena Rodriguez, Noah Sheen, Cynthia Sweeney, and Justin Williams
Costume Director
Kimberly Fitt
Lead Draper
Jessica Barksdale
Draper/Cutter
Danielle Dulchinos and Molly Hartvigsen
First Hand
Kristal Berger and Monica McNeill
Costume Shop Coordinator
Alyssa Baumgarten
Costume Shop Assistant
Rowan Forsyth and Megan Conde
Craft Artisan, Stitcher, and Wardrobe Maintenance
Sarah Baldwin, Christa Didier, Naomi Hall, Amy Handy, Katie Harper, Mckayla Howlett, Keri Johnson, Sarina Johnson, Sara McCorristin, Brienna Michaelis, Becky Ribeira, Velma Rippstein, and McKayla Taylor
Resident Assistant Costume Designers
Lexi Goldsberry, Ryver Mecham, and Lili Riberia
Hair & Makeup Supervisor
Melinda Wilks
Hair & Makeup Lead
Emilie Ronhaar
Hair & Makeup Assistant
Krista Sommer, Brooklyn Tolley, Mattie Victor, and Bekah Wilbur
Wig Crew
Nicole Madsen, Astrid Melendez, Mattie Victor, and Bekah Wilbur
Wardrobe Supervisor
Danielle Tanner
Assistant Wardrobe Supervisor
Carli Bringhurst
Lead Dressers
Danielle Hendrickson, Ri Mosswood, Alexis Sanders, and Seneca White
Wardrobe Crew
Madison Greer, Addysn Kidd, Carlie McCleary, Deanne Moses, Zach Raddatz, Alyssa Steck, Annika Stenquist, and Kate Watkins
Child Guardian
Alyssa Steck
Master Carpenter/Shop Foreman
David Knowles
Carpenters
Boston Anglesey, Zippy Hellewell, Steven Ingram, Garion Jorgensen, and Jaren Raymond
Metal Fabricator/Carpenter
Steven Fordham and Ian Scott
Purchasing Coordinator / Draftsperson
Elisabeth Goulding
Props Supervisor
Megan Heaps
Props Artisan
Katelyn Hales, Allen Lafferty and Lucinda Lai
Scenic Charge Artist
Morgan Dawn Golightly
Scenic Artist
Malorie Hansen and Amanda Ruth Wilson
Director of Stage Management
Shae Candelaria
Resident Stage Manager
Jordan Liau
Production Stage Manager
Anna Birch, Tannah O'banion, Christopher Vlamakis, and Ashtyn Waters
Sub Stage Manager
Courtney Byrom and Makelle Young
Deck Supervisor
Sydnie Evans
Deck Lead
Lex Fabbian, Kara McCarthy, Collin Ohran, and Cheyenne Proctor
Deck Hand
Taylor Bearss, Asher Candell, Katelyn Hales, Hudson Heath, Anina Miller, Mya Odom, Thomas Petrucka, and Chris Vlamakis
Development
VP of Advancement
Jeremiah Christenot
Director of Public Relations & Strategic Partnerships
Sydney Dameron
Senior Manager of Corporate Partnerships
Sean Firmage
Marketing
Director of Marketing
Brighton Sloan
Creative Marketing Director
Curt R. Jensen
Jr. Designer
Kyra Bayles
Video Content Creator
Josh Beck
Database and Recording Analyst
Ryan Ward
Finance & Administration
Director of Administration
Joe Cook
Director of Human Resources
Juli Adams
Director of Operations
Troy Anderson
Director of Finance
Gary Hill
Patron Services
Facility Rentals & Events Manager
Don Alden
Executive Administrator
Merrilee Moody
Box Office Manager
Britney Wood
Assistant Box Office Manager
Kaitlin LeBeau
Ticketing Specialists
Amanda Anderson, Dakota Beckstrand, Eli Estrada, Lydia Evans, Marcie Jacobsen, Kaitlin LeBeau, Chloe Jayne Loveridge, Laurel Lowe, Melanie Muranaka, Elizabeth Rotz, Erin Smith, and Emily Ward
Front-of-House Manager and Manager of Volunteer Ushers
Tia Trimble
Assistant Front-of-House Manager
Andrew Mallory
Front-of-House Lead
Georgi Ana Brown, Gwen Carlson, Zoe Fawcett, Brielle Giles, Logan Kneeland, Rylie Rhees, Laney Sharp, and Jodi Wilson
Usher
Zoe Ayala, Maddi Benson, Brian Bigler, Lori Call, Allison Cloward, Charlie Cotton, Naomi Day, Tamara Frehner, Emma Gibb, Abby Henry, Vincent Jolley, Emalyn Kaufman, Miley Ledyard, Oliver Liddiard, Eli May, Kelsey McClain, Kelsey Plewe, Justin Ruchti, Kami Seamons, Parker Smith, and Liberty Sondrup
Volunteer Usher
Joan Adams, Maryna Akhtyrska, Sheri Barker, Barbara Brown, Chip Browne, Mark Buchanan, Julie Castro, Claire D'Ecsery, Ben Driggs, Paige Erickson, Marietta Evans, Kim Fillmore, Mark Fillmore, Barb Fox, Kaye Fugal, Roberta Galatsatos, Carrie Hansen, Debra Hawker, Janice Heilner, Sandi Henderson, Sonya Hilton, Cheryl James, Fran Keller, Barbara Langford, Megan Maughan, Katie Maxwell, Tawnya Mayo, Judd Messenger, Kevin Mitchell, Terrie Mitchell, Jeannette Moreira, Kristi Nelson, Lynne Nielsen, Amy Palethorpe, Jacob Perazzo, Glen Pincock, Kendra Porter, Willow Purles, Colleen Richardson, Kathie Richmond, Doug Richardson, Daniel Richmond, Sherilyn Robertson, Destiny Schroeter, Shellie Shelley, Pam Shepherd, Aubrey Sorenson, Laura St. Onge, Dave Stallings, Kalenn Stallings, Sean Taggart, Shauna Taggart, Yvette Telford, Terry Turner, Chelsea Welch, Kathie Walker, Ginny Watts, Julie Widtfeldt, Kim Wright, Lori Wright, Christine Worthen, and Paul Worthen
Education & Outreach
Director of The Ruth Academy
Victoria Fowler
Director of Educational Programming & Enrichment
Jon Liddiard
Associate Academy Director
Amelia Rose Moore
Office Manager
Ethan Smith
Acting Instructors
Kelly Coombs, Morgan Gunter, Jon Liddiard, James Wakeland, and Dylan Wright
Vocal Instructors
Bronwyn Andreoli, Amanda Baugh, Amanda Crabb, Kristian Huff, Marcie Jacobsen, Rex Kocherhans, Chelsea Lindsay, Amelia Rose Moore, Brandalee Bluth Streeter, Brad Summers, and Marcie Yacktman
Instrument Instructors
Christian Wawro
Group Class Instructors
Bronwyn Andreoli, Will Baird, Rachel Bigler, DeLayne Dayton, Charlie Flint, Morgan Gunter, Carolyn Hartvigsen, Emily Hawkes, Emma Wadsworth Hurley, Audrey King, Merrilee Liddiard, Mak Milord, Kelsey Phillips, Kelsea Smellie, Channing Spotts, Opal Tolman, Madison Valgardson, Charlotte Westover, and Dylan Wright
Hale Center Foundation for the Arts & Education
Founders
Cody & Linda Hale
Cody & Anne Swenson
Board Chair
Greg Cook
Board of Trustees
Misty Bond, Anne Brown, John Cook, Dave Doxey, David Hill, Robert Hanson, Carl Hernandez, Cody Hale, Derrin Hill, William Jeffs, Tyler Jennings, Dave Larson, Michelle Lockhart, Garner Meads, Jani Radebaugh, Lincoln Westcott, Jeff Wilks, and Josh Zieglowsky
Advocacy Council
Heidi Woahn (Volunteer Chair)
Advisory Council
Craig Simons, Ella Simons, Jerry Simons, Adele Swenson, Maren Mouritsen, Robert Lee Swenson, and Melany Wilkins
Donors
Thank You!
We deeply appreciate all those who have contributed to The Ruth Theater through donations to our building, our programs and our people. If your name has been misspelled or inadvertently omitted, please contact our development team at donate@theruth.org
*Indicates a member of the Columbia Bank Impact Club
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- Anonymous
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Theater Donors $100,000+
- Soltis Investment Advisors*
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- Richard Wimmer
