An American in Paris
Music and Lyrics by George Gershwin and Ira Gershwin, Book by Craig Lucas
Show Information
The Ruth & Nathan Hale Theater
PROUDLY PRESENTS
MUSIC & LYRICS BY
George Gershwin & Ira Gershwin
BOOK BY
Craig Lucas
ORIGINALLY PRODUCED ON BROADWAY BY
Stuart Oken, Van Kaplan, and Roy Furman
BY SPECIAL ARRANGEMENT WITH
Elephant Eye Theatrical & Pittsburgh CLO and Théâtre du Châtelet
Starring
Ella Bleu Bradford, Rylee Rogers*, Johnathan Tanner**, and Taylor Tolman-Stanger**
Featuring
Summer Sloan Alvey, Jordan Briggs, Teaira Burge, Kelton Davis, Scotty Fletcher, and Thomas Wood
Supporting
Pieter ten Bosch, Lauren Bonner, Madeline Clifford, Tanner Garner, Madison Lynn Gehring, Ryan Hatch***, Ben Henderson, Doug Irey, Julia Jolley, Cole Martin, Bronwen Merrill, Aubrie Owen, Liv Perry, Devree Roberts, Ben Roeling, Michael Romney, Emily Llewelyn Sellers, Seth Sherman, Garrett Shippen, Maria Stephens, JPaul Storrs, Ally Jo Taylor, Amanda Taylor, Cassandra Thoms, Leo Cedeno Torres, Emily West, and Seth Woodbury
DIRECTOR
Jennifer Hill Barlow
CHOREOGRAPHER
Penny Saunders
MUSIC DIRECTOR
Anne Puzey
SET DESIGN BY
Jo Winiarski
COSTUME DESIGN BY
Brenda Van Der Wiel
ADDITIONAL COSTUMES FOR THE LILY POND BALLET COURTESY OF
Ballet West
Adam Sklute, Artistic Director
LIGHTING DESIGN BY
Ryan Fallis
PROJECTION DESIGN BY
Carter Thompson
HAIR & MAKEUP DESIGN BY
Bekah Wilbur
SOUND DESIGN BY
Richie Trimble
PROP DESIGN BY
Megan Heaps
PRODUCTION STAGE MANAGER
Jordan Liau
*Artist performing courtesy of Ballet West
**Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
*** Artist performing courtesy of Utah Metropolitan Ballet
The worldwide copyright in the music ofGeorge and Ira Gershwin for this presentationare licensed by the Gershwin Family.
The video or audio recording of this performance by any means is strictly prohibited.
Cast List
Jerry Mulligan
Johnathan Tanner* MON, WED, FRI
Taylor Tolman-Stanger* TUE, THU, SAT
Lise Dassin
Ella Bleu Bradford MON, WED, FRI
Rylee Rogers** TUE, THU, SAT
Adam Hochberg
Jordan Briggs MON, WED, FRI
Kelton Davis TUE, THU, SAT
Henri Baurel
Thomas Wood MON, WED, FRI
Scotty Fletcher TUE, THU, SAT
Milo Davenport
Teaira Burge MON, WED, FRI
Summer Sloan Alvey TUE, THU, SAT
Madame Baurel
Emily Llewelyn Sellers MON, WED, FRI
Julia Jolley TUE, THU, SAT
Monsieur Baurel
Doug Irey MON, WED, FRI
Ben Henderson TUE, THU, SAT
Man 1/M. Dutois/Mr. Z
Ben Roeling MON, WED, FRI
Michael Romney TUE, THU, SAT
Man 2
Seth Sherman SINGLE CAST
Man 3
Seth Woodbury MON, WED, FRI
Cole Martin TUE, THU, SAT
Man 4
Pieter ten Bosch MON, WED, FRI
JPaul Storrs TUE, THU, SAT
Man 5
Ryan Hatch*** MON, WED, FRI
Leo Cedeno Torres TUE, THU, SAT
Man 6
Garrett Shippen MON, WED, FRI
Tanner Garner TUE, THU, SAT
Woman 1/Mme. Dutois/Olga
Aubrie Owen MON, WED, FRI
Madeline Clifford TUE, THU, SAT
Woman 2
Ally Jo Taylor MON, WED, FRI
Madison Lynn Gehring TUE, THU, SAT
Woman 3
Emily West MON, WED, FRI
Maria Stephens TUE, THU, SAT
Woman 4
Cassandra Thoms SINGLE CAST
Woman 5
Lauren Bonner MON, WED, FRI
Liv Perry TUE, THU, SAT
Woman 6
Bronwen Merrill MON, THU, SAT
Devree Roberts WED, FRI
Woman 7
Amanda Taylor MON, WED, FRI
Devree Roberts TUE, SAT
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
**Artist performing courtesy of Ballet West
*** Artist performing courtesy of Utah Metropolitan Ballet
Production Team
DIRECTOR
Jennifer Hill Barlow
CHOREOGRAPHER
Penny Saunders
MUSIC DIRECTOR
Anne Puzey
SET DESIGN BY
Jo Winarski
COSTUME DESIGN BY
Brenda Van Der Wiel
ASSISTANT COSTUME DESIGNER
Lili Ribeira
ADDITIONAL COSTUMES COURTESY OF
Ballet West
Adam Sklute, Artistic Director
BALLET COSTUME CONSTRUCTION
Cindy Farrimond
LIGHTING DESIGN BY
Ryan Fallis
PROJECTION DESIGN BY
Carter Thompson
HAIR & MAKEUP DESIGN BY
Bekah Wilbur
SOUND DESIGN BY
Richie Trimble
PROP DESIGN BY
Megan Heaps
PRODUCTION STAGE MANAGER
Jordan Liau
ASSISTANT STAGE MANAGERS
Nicole Ireland and Kati Torrie
DECK CREW
Mitchy Brown, Sarah Dalley, Collin Ohran, and Sophie Shepherd
HEAD DRESSERS
Danielle Hendrickson, Isabel Moss, and Ri Mosswood
WARDROBE CREW
Angela Beatie, Astrid Melendez, Carlie McCleary, Zach Raddatz, Alexis Sanders, Kate Watkins, and Seneca White
REHEARSAL ASSISTANTS
Michael Romney, Cassandra Thoms
Scenes and Musical Numbers
• Prologue •
Adam
• Scene 1 •
Streets of Paris
Concerto in F
Company
• Scene 2 •
Dutois Cafe
I Got Rhythm
Jerry, Adam, Henri, and Company
• Scene 3 •
Ballet du Chatelet
Second Prelude
Lise, Female Ensemble
• Scene 4 •
Galeries Lafayette
I've Got Beginner's Luck
Jerry
• Scene 5 •
Baurel Manse/Quiet Cafe
The Man I Love
Lise
• Scene 6 •
Along the Seine
Liza
Jerry and Lise
• Scene 7 •
Baurel Manse
• Scene 8 •
Streets of Paris
S' Wonderful
Jerry, Henri, Adam, and Company
• Scene 9 •
The Ritz
Shall We Dance
Milo
• Scene 10 •
Gallery Opening, Along the Seine, Ballet Studio, Night Club, Bal de Beaux Arts
Rhapsody Ballet
Company
Intermission
• Scene 1 •
Baurel Manse
For Lily Pons Ballet
Fidgety Feet
Jerry
• Scene 2 •
Baurel Manse, The Ritz, Dutois Cafe
Who Cares
Milo, Adam, Henri
For You, For Me, Forever More
Lise, Henri, Jerry, Milo
But Not For Me
Adam, Milo
• Scene 3 •
Montmartre Cabaret
I'll Build a Stairway to Paradise
Henri, Adam, Company
• Scene 4 •
Ballet du Chatelet
An American in Paris
Company
They Can't Take that Away from Me
Jerry, Adam, Henri
• Scene 5 •
The Seine
Epilogue
Director's Note
An American in Paris is a story about falling in love - with a person, a city, and the power of art itself. Set in a Paris just beginning to heal after the devastation of World War II, it captures a moment where everything feels fragile, but full of possibility. Out of that rubble, beauty starts to bloom again. This show lives in that hopeful space - the moment between survival and rebirth - when art becomes the lifeline back to joy.
Historically, postwar Paris experienced a cultural awakening. Painters, dancers, composers, and designers returned, eager to rebuild not just a city, but an identity. This musical doesn’t shy away from that tension - the shadows of war are still present - but it leans hard into the belief that creativity can be transformative. The characters in this story are searching: for belonging, for connection, for meaning. And it’s through their art - through dance, music, and design - that they begin to find it.
The Gershwin score is the heartbeat of the show. There’s something magical about how their music can feel both timeless and immediate. It’s sophisticated, emotional, playful, and deeply human. It doesn’t just underscore the action - it is the action. These melodies invite the characters to move, to take risks, to fall in love. They carry us through the emotional high-wire act of this piece with grace and undeniable rhythm.
And then there’s the dance. Movement is the soul of An American in Paris. It’s how the characters express the things they’re not quite ready to say. The choreography is the storytelling - and I feel incredibly lucky to have had the brilliant Penny Saunders leading that part of the process. Penny brought such nuance, style, and integrity to every moment. Her work is layered with intention and heart, and I am beyond grateful for her collaboration, talent, and friendship.
Directing this show has been about more than just staging - it’s been about listening to what the piece needed to say right now. About giving space to the silences, to the glances, to the moments that live between a note and a step. It’s been about trusting that art - when made with honesty - can remind us what it means to be fully alive.
I hope as you watch this show, you feel transported. Not just to Paris, but to that tender, brave moment when we begin again - when we choose beauty, even after hardship, and allow ourselves to create and feel joy again.
With hope,
Jennifer Hill Barlow
Director
Interesting Facts
By Mark Fossen
Americans in Paris
The GI grew up in a generation when Paris to most Americans was a cheerful bawd: the Paris of Maxim's, the Ritz Bar, the Moulin Rouge […]. To the young man who had seen this Paris in pictures, who had read about it in Fitzgerald and Hemingway, who had overheard wise conversations between his father and his Uncle Tom, the Paris in which he found himself these last two winters was a grim and depressing disappointment. He found people who were cold, hungry, confused and tired-above all, tired-who were too busy keeping themselves alive to bother much about entertaining him […]. And the GI, in turn, felt cheated.. Where was the Paris he had heard about?
LIFE Magazine, Mar 18, 1946
Known for its gorgeous music and stunning dance, An American in Paris is, at its heart, a grounded story of the city in the years after World War II and the American artists who found inspiration there.
On August 25, 1944, as Allied Forces liberated Paris after four years of Nazi occupation, the city was economically devastated, politically fragmented, and morally scarred. Over a sixth of the buildings in Paris were crumbling, and its citizens were severely undernourished due to rationing. Ann Montgomery, a model living in Paris during the 1950s, described the city as "infected by a war-weary shabbiness that cast a despairing shadow over the grandeur of the ancient city." Deep and passionate divisions existed between those who had collaborated with the Nazi regime, and those who had resisted.
As the U.S. 4th Infantry Division entered the city alongside the French 2nd Armored Division, Parisians greeted American GIs with euphoria, kisses, and celebrations, encountering a city bursting with creative energy despite the scars of war. Bread rationing persisted until 1949, inflation soared, and many buildings remained in ruins, yet Paris began to reassert its role as a cultural capital.
As the City of Lights began to rebuild, the arts offered a refuge and a way for Parisians to process collective trauma. The city’s theaters, museums, and concert halls—many of which had continued operating during the German occupation—became the foundation for a postwar artistic renaissance. Leading figures like Pablo Picasso and Georges Braque remained active, producing works that reflected Paris’s resilience and transformation.
Americans formed a significant part of that artistic renaissance. A monthly stipend of $75 allowed expatriates to live comfortably in postwar Paris and the GI Bill enabled American veterans to study at Paris’s famed ateliers, including the Académie de la Grande Chaumière and Académie Julian. American expatriates, drawn by Paris’s storied artistic traditions, infused the city with fresh energy. Cafés, museums, and galleries became vibrant meeting places where painters and sculptors mingled with existentialist philosophers such as Jean-Paul Sartre and Simone de Beauvoir. The founding of Galerie Huit in 1950, a cooperative gallery on the Left Bank, symbolized this creative exchange and reaffirmed Paris as a hub for artistic collaboration.
The performing arts also experienced a significant revival. The Paris Opéra Ballet, under the leadership of Serge Lifar, played a key role in reestablishing Paris’s cultural prominence. Lifar’s tenure, though controversial due to accusations of wartime collaboration, reflected the city’s determination to reclaim its artistic identity. Ballet productions during this period blended classical tradition with modern innovation, mirroring Paris’s dual nature as both timeless and forward-looking.
Jazz clubs, often hidden in underground cellars, brought American blues and bebop to Paris, creating a distinctly Parisian take on the genre. These venues became spaces of cultural convergence where expatriates and locals shared ideas and performances. The vibrant jazz scene added a dynamic layer to the city’s artistic landscape, complementing its achievements in visual and performing arts.
By the early 1950s, Paris had become a sanctuary for American artists and veterans disillusioned by the conformity of postwar America. The city’s enduring beauty and cultural depth made it an ideal destination for those seeking inspiration. Paris’s population grew steadily, reaching 2.85 million by 1954, as its streets buzzed with the energy of a city rediscovering its identity.
As Paris evolved, so did its role in the global artistic landscape. While the city remained a beacon for creativity, many American artists returned home by the early 1960s, drawn by the burgeoning Civil Rights movement and the rise of artist-run galleries in New York. Yet, the legacy of their time in Paris endured, cementing the city’s reputation as a crucible for artistic innovation.
The contrasts of postwar Paris—its beauty against devastation, its timelessness against modernity—made it a compelling stage for art, culture, and resilience. The interplay of visual and performing arts during this period not only revitalized the city but also solidified its place as the cultural center of the Western world. These creative triumphs, set against the backdrop of a city rebuilding itself and balancing hope against tragedy, are at the heart of An American in Paris.
Meet the Cast
Johnathan Tanner*
Taylor Tolman-Stanger*
Ella Bleu Bradford
Rylee Rogers*
Jordan Briggs
Kelton Davis
Thomas Wood
Scotty Fletcher
Teaira Burge
Summer Sloan Alvey
Emily Llewellyn Sellers
Julia Jolley
Doug Irey
Ben Henderson
Ben Roeling
Michael Romney
Seth Sherman
Seth Woodbury
Cole Martin
Pieter ten Bosch
JPaul Storrs
Ryan Hatch*
Leo Cedeno Torres
Garrett Shippen
Tanner Garner
Aubrie Owen
Madeline Clifford
Ally Jo Taylor
Madison Lynn Gehring
Emily West
Maria Stephens
Cassandra Thoms
Lauren Bonner
Liv Perry
Bronwen Merrill
Devree Roberts
Amanda Taylor
Meet the Production Team
Jennifer Hill Barlow
Penny Saunders
Anne Puzey
Jo Winiarski
Brenda Van der Wiel
Ryan Fallis
Carter Thompson
Bekah Wilbur
Richie Trimble
Megan Heaps
Jordan Liau
Dianna Graham
Theater Staff
Leadership
Theater Founders
Cody & Linda Hale
Cody & Anne Swenson
Production
Artistic Director
Jennifer Hill Barlow
Production Manager
Meagan M. Downey
Technical Director
Jason Baldwin
Head of Audio
Timothy Riggs
Sound Supervisor
Richie Trimble
Sound Assistant
Devon Parikh
Head of Lighting and Media
Michael Gray
Master Electrician
Ryan Fallis
Head of Automation and Rigging
Scott Freeland
Automation
Sam Nielsen, Alena Rodriguez, Noah Sheen, and Ryder Spotts
Costume Shop Supervisor
Kimberly Fitt
Head Draper
Jessica Barksdale
Draper/Cutter
Danielle Dulchinos
First Hand
Kristal Berger and Monica McNeill
Assistant Cutter/Draper
Maria Solesbee
Ruth Costume Shop Staff
Sarah Baldwin, Amy Handy, Mckayla Howlett, Keri Johnson, Sara McCorristin, Tannis Poynter, and Jamie Wakely
Assistant Costume Shop Manager
Alyssa Baumgarten
Craft Shop Manager
Olivia Kline
Crafts & Costume Construction
Megan Conde, Rowan Forsyth, Mckayla Howlett, Sara McCorristin, Brienna Michaelis, Brooklyn Schoenwald, and Erin Torres
Resident Assistant Costume Designers
Lexi Goldsberry, Angelica Lehr, Ryver Mecham, and Lili Riberia
Hair & Makeup Supervisor
Melinda Wilks
Hair & Makeup Assistant
Emilie Ronhaar, Mattie Victor, and Bekah Wilbur
Additional Hair & Makeup
Krista Sommer, Brooklyn Tolley
Wardrobe Supervisor
Danielle Tanner
Assistant Wardrobe Supervisor
Carli Bringhurst
Assistant Technical Director
Paul Hintz
Master Carpenter
David Knowles
Carpenters
Boston Anglesey, Garion Jorgensen, Lincoln Oliphant, and Ian Scott
Lead Metal Fabricator
Jay Johnson
Purchasing Coordinator / Props Artisan
Elisabeth Goulding
Props Supervisor
Megan Heaps
Props Artisan
Allen Lafferty
Scenic Charge Artist
Morgan Dawn Golightly
Scenic Artist
Amanda Ruth Wilson
Deck Operations Manager
Katie Torrie
Education
Managing Director of Education
Linda Hale
Director of The Ruth Academy
Jon Liddiard
Youth Artistic Director
Amelia Rose Moore
Acting Instructors
Kelly Coombs, Morgan Gunter, Jon Liddiard, and Clara Wright
Vocal Instructors
Amanda Baugh, Amanda Crabb, Marcie Jacobsen, Rex Kocherhans, Chelsea Lindsay, Amelia Rose Moore, Rachel Ryan Nicholes, Brandalee Bluth Streeter, and Marcie Yacktman
Group Class Instructors
Amanda Baugh, Rachel Carter, DeLayne Dayton, Collin Larsen, Jon Liddiard, Amelia Rose Moore, Kolton Nielsen, Hailey Bennett Sundwall, and Dylan Wright
Administrative
Executive Director - CEO
Bill Woahn
Founding Associate Executive Director, and Executive Producer
Cody Swenson
Founding Artistic Director, and Executive Producer
Anne Swenson
Director of Development
Jeff Fisher
Director of Administration
Joe Cook
Director of Customer Experience- CXO
Kristine Widtfeldt
Director of Operations
Troy Anderson
Director of Finance
Mark Ostler
Director of Public Relations & Strategic Partnerships
Sydney Dameron
Senior Manager of Corporate Partnerships
Sean Firmage
VP of Advancement
Jeremiah Christenot
Director of Marketing
Brighton Sloan
Creative Marketing Director
Curt R. Jensen
Video Content Creator
Josh Beck
Facility Rentals & Events Manager
Don Alden
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Box Office Manager
Brooke Wilkins
Assistant Box Office Manager
Risa Bean
Box Office Staff
Gwen Carlson, Emily Ellis, Eli Estrada, Marcie Jacobsen, Jordan Kartchner, Logan Kneeland, Katlin LeBeau, Chloe Loveridge, Laurel Lowe, Emma Macfarlane, Lori McClure, Melanie Muranaka, Isabelle Purdie, Elizabeth Rotz, Erin Smith, Anna Summers, and Tia Trimble
Front of House Manager
Fiona Hartvigsen
Assistant House and Volunteer Manager
Tia Trimble
House Supervisors
Kevin Bigler, Georgi Ana Brown, Gwen Carlson, Lillian Gibb, Brielle Giles, Logan Kneeland, Andrew Mallory, Rhylie Rhees, and Jodi Wilson
Ushers
Maddie Benson, Parker Burnham, Alice Byrom, Lori Call, Alli Cloward, Naomi Day, Parker Eggleston, Zoe Fawcett, Simone Fenner, Emma Gibb, Abby Henry, Vincent Jolley, Emalyn Kaufman, Addysn Kidd, Miley Ledyard, Oliver Liddiard, Kelsey McClain, Kelsey Plewe, Charlie Ross, Justin Ruchti, Laney Sharp, Parker Smith, Liberty Sondrup, Danielle West, and Lilly Wright
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Hale Center Foundation for the Arts & Education
Board Chair
Greg Cook
Board of Trustees
Anne Brown, David Doxey, Linda Hale, Carl Hernandez, Derrin Hill, William Jeffs, Jani Radebaugh, Cody Swenson, Lincoln Westcott, and Jeff Wills
Advocacy Council
Heidi Woahn (Volunteer Chair)
Advisory Council
Craig Simons, Ella Simons, Jerry Simons, Adele Swenson, Maren Mouritsen, Robert Lee Swenson, and Melany Wilkins
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Thank You!
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- Mark Jones
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- Russell Young
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- Ronald & Jane Zundel
